The material on "333" is made up of free association compositions that incorporate rhythmic noise, pseudo-classical mannerisms, watery electronic sounds, and spastic, fluttering drum machines with wild time-signature juxtapositions. First partially written in 2003, in a 2nd floor closet, squatting in a rat-infested house that only had power in the flooded basement, Clayton Counts mastered the final product in a stretch of about 5 8 hour long days, while we meticulously went over every detail. The 60 minutes of material amalgamates a series of cohesive works made specifically for live performance, in manic, alcohol soaked, dark and solitary sittings of 15-25 hours, then obsessively expanded/refined until 2009. It is composed entirely with a Yamaha RM1x sequencer, incorporating various carefully crafted haywire anamolies that were featured in Dead Tech/Circuit Bending type of art gallery events, and much experience from performing with live bands or working with a wide variety of artists.
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